{"id":6671730278478,"title":"Cole Clark FL1E-12-BM Bunya Maple 12-String Acoustic\/Electric Guitar","handle":"cole-clark-fl1e-12-bm-bunya-maple-12-string-acoustic-electric-guitar","description":"\u003cp\u003e\u003cem\u003ePlease note actual guitar may differ in appearance to stock photo due to variances in the wood grain.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSolid Bunya Top:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThis native, sustainable Australian tone wood sourced from Queensland is responsible for over half of Cole Clark’s sales. This is the top used by the majority of our long term artists. \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSignature Cole Clark acoustic sound\u003c\/li\u003e\n\u003cli\u003eFor a medium to hard player, especially amplified\u003c\/li\u003e\n\u003cli\u003eGood for a percussive player\u003c\/li\u003e\n\u003cli\u003eHandles climate extremes better than the softer timbers\u003c\/li\u003e\n\u003cli\u003eThis is a sustainable timber\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eSolid Queensland Maple Back \u0026amp; Sides:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThis is an Australian native sustainable timber sourced from Queensland and is our second biggest seller. It is no relation and has no similar sound characteristics to US Maple. It’s a neutral sounding timber like South American Mahogany with a touch more snap.\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNeutral sounding, similar to Brazilian Mahogany\u003c\/li\u003e\n\u003cli\u003eFast attack\u003c\/li\u003e\n\u003cli\u003eGood for amplifying\u003c\/li\u003e\n\u003cli\u003eThis is a sustainable timber\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCole Clark PG3 pickup system\u003c\/h4\u003e\n\u003cp\u003eReleased in 2022, the PG3’s improved microphone for extreme highs, altered frequency filter between the mic and face sensor and new configuration between the face sensor and bridge pickup delivers our most advanced, dynamic and natural sounding plugged in experience yet.\u003c\/p\u003e\n\u003cp\u003eThe concept behind our pickup technology is best explained by comparing it to an audio system. A P.A usually consists of sub woofers, speakers and horns. Each component is designed to hear a range of frequencies they are best equipped to handle, with crossover points for frequencies best heard by the next component. Cole Clark uses the same philosophy, combining a piezo system for the bottom end, a patented face sensor for the mid range and a microphone for the top end.\u003c\/p\u003e\n\u003ch5\u003eUnder Saddle Piezo\u003c\/h5\u003e\n\u003cp\u003eThe piezo system utilizes 6 individual piezo elements suspended under the bridge saddle which we believe is the best and most dynamic type of piezo system available.\u003c\/p\u003e\n\u003ch5\u003eFace Sensor\u003c\/h5\u003e\n\u003cp\u003eWe know that the face\/top is the most important component to the sound of an acoustic guitar, so it makes sense that we utilize that tone when amplifying the guitar. We do this with our unique face sensor which is specifically designed for the mid range. We use a patented blend control which blends in the amount of face sensor required to go with the piezo sound or to completely replace the piezo in the mid range. This goes a long way in removing the ‘piezo quack’, delivering a more natural tone. With a maximum crossover point of 350hz, the face sensor cannot hear any frequency in it’s feedback zone, instead leaving those frequencies to the under saddle piezo.\u003c\/p\u003e\n\u003ch5\u003eMicrophone\u003c\/h5\u003e\n\u003cp\u003eThe third element is a condenser microphone for the top end. This microphone is set well above any frequency zone that could cause it to feed and is purely there to take the ‘ping’ out of the piezo if there is some piezo blended through at full range.\u003c\/p\u003e\n\u003ch5\u003eControls\u003c\/h5\u003e\n\u003cp\u003eOn your preamp you’ll find 3 knobs. Top centre for volume, top left is a blend knob used to add or remove frequencies that the face sensor is hearing and top right is a separate volume specific to the microphone.\u003c\/p\u003e\n\u003cp\u003eThe FC (filter contour) button allows for effortless switching between the PG3 configuration and an improved version of it’s predecessor, the 3-Way. There are also a battery light and sliders for treble, mids and bass response.\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eSPECS\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eNew\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eManufacturer: \u003c\/strong\u003eCole Clark\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eModel: \u003c\/strong\u003eFL1E-12-BM\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrientation: \u003c\/strong\u003eRight Handed\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColour: \u003c\/strong\u003eNatural\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBody Shape: \u003c\/strong\u003eDreadnought\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTop Wood: \u003c\/strong\u003eSolid A Grade Bunya\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBack \u0026amp; Sides: \u003c\/strong\u003eSolid A Grade Queensland Maple\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBody Finish: \u003c\/strong\u003eSatin Nitrocellulose\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNeck Material: \u003c\/strong\u003eQueensland Maple\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNeck Finish: \u003c\/strong\u003eSatin Nitrocellulose\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale Length: \u003c\/strong\u003e650mm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFingerboard Material: \u003c\/strong\u003eShe Oak\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFingerboard Radius: \u003c\/strong\u003e12\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNut Material:\u003c\/strong\u003e Graph Tech Tusq\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNut Width: \u003c\/strong\u003e50mm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBridge: \u003c\/strong\u003eShe Oak\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSaddle: \u003c\/strong\u003eGraph Tech Tusq\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElectronics: \u003c\/strong\u003eCole Clark 3-Way Pickup System\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls: \u003c\/strong\u003eBass, Middle, Treble, Face\/Bridge Blend Knob, Volume Knob, Mic Knob\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTuning Machines: \u003c\/strong\u003eDie-Cast\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHardware Colour: \u003c\/strong\u003eChrome\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStrings: \u003c\/strong\u003eElixir Nanoweb Phosphor Bronze 10-47\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry of Origin: \u003c\/strong\u003eAustralia\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBag\/Case: \u003c\/strong\u003eCole Clark Heavy Duty Gig Bag\u003c\/p\u003e","published_at":"2021-11-27T20:42:02-05:00","created_at":"2021-11-27T20:19:17-05:00","vendor":"Cole Clark","type":"Acoustic Guitar","tags":["12-string","acoustic electric","acoustic guitar","Body Shape_Dreadnought","Brand_Cole Clark","Cole Clark","Colour_Natural","DIM=21x117x50","guitar","normal","Orientation_Right Handed","oversized","Price_$1500 - $1999","Product Type_Guitars","sale","Subcategory_12-String","Subcategory_Acoustic\/Electric"],"price":169500,"price_min":169500,"price_max":169500,"available":false,"price_varies":false,"compare_at_price":239900,"compare_at_price_min":239900,"compare_at_price_max":239900,"compare_at_price_varies":false,"variants":[{"id":39565603766350,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"CCFL1E-12-BM","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Cole Clark FL1E-12-BM Bunya Maple 12-String Acoustic\/Electric Guitar","public_title":null,"options":["Default Title"],"price":169500,"weight":6000,"compare_at_price":239900,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/downtownmusicsydney.com.au\/cdn\/shop\/products\/ColeClarkCCFL1E-12-BM1.jpg?v=1638063528","\/\/downtownmusicsydney.com.au\/cdn\/shop\/products\/ColeClarkCCFL1E-12-BM2.jpg?v=1638063528"],"featured_image":"\/\/downtownmusicsydney.com.au\/cdn\/shop\/products\/ColeClarkCCFL1E-12-BM1.jpg?v=1638063528","options":["Title"],"media":[{"alt":null,"id":21083144290382,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1000,"width":1000,"src":"\/\/downtownmusicsydney.com.au\/cdn\/shop\/products\/ColeClarkCCFL1E-12-BM1.jpg?v=1638063528"},"aspect_ratio":1.0,"height":1000,"media_type":"image","src":"\/\/downtownmusicsydney.com.au\/cdn\/shop\/products\/ColeClarkCCFL1E-12-BM1.jpg?v=1638063528","width":1000},{"alt":null,"id":21083144323150,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1000,"width":1000,"src":"\/\/downtownmusicsydney.com.au\/cdn\/shop\/products\/ColeClarkCCFL1E-12-BM2.jpg?v=1638063528"},"aspect_ratio":1.0,"height":1000,"media_type":"image","src":"\/\/downtownmusicsydney.com.au\/cdn\/shop\/products\/ColeClarkCCFL1E-12-BM2.jpg?v=1638063528","width":1000}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cem\u003ePlease note actual guitar may differ in appearance to stock photo due to variances in the wood grain.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSolid Bunya Top:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThis native, sustainable Australian tone wood sourced from Queensland is responsible for over half of Cole Clark’s sales. This is the top used by the majority of our long term artists. \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSignature Cole Clark acoustic sound\u003c\/li\u003e\n\u003cli\u003eFor a medium to hard player, especially amplified\u003c\/li\u003e\n\u003cli\u003eGood for a percussive player\u003c\/li\u003e\n\u003cli\u003eHandles climate extremes better than the softer timbers\u003c\/li\u003e\n\u003cli\u003eThis is a sustainable timber\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eSolid Queensland Maple Back \u0026amp; Sides:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThis is an Australian native sustainable timber sourced from Queensland and is our second biggest seller. It is no relation and has no similar sound characteristics to US Maple. It’s a neutral sounding timber like South American Mahogany with a touch more snap.\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNeutral sounding, similar to Brazilian Mahogany\u003c\/li\u003e\n\u003cli\u003eFast attack\u003c\/li\u003e\n\u003cli\u003eGood for amplifying\u003c\/li\u003e\n\u003cli\u003eThis is a sustainable timber\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCole Clark PG3 pickup system\u003c\/h4\u003e\n\u003cp\u003eReleased in 2022, the PG3’s improved microphone for extreme highs, altered frequency filter between the mic and face sensor and new configuration between the face sensor and bridge pickup delivers our most advanced, dynamic and natural sounding plugged in experience yet.\u003c\/p\u003e\n\u003cp\u003eThe concept behind our pickup technology is best explained by comparing it to an audio system. A P.A usually consists of sub woofers, speakers and horns. Each component is designed to hear a range of frequencies they are best equipped to handle, with crossover points for frequencies best heard by the next component. Cole Clark uses the same philosophy, combining a piezo system for the bottom end, a patented face sensor for the mid range and a microphone for the top end.\u003c\/p\u003e\n\u003ch5\u003eUnder Saddle Piezo\u003c\/h5\u003e\n\u003cp\u003eThe piezo system utilizes 6 individual piezo elements suspended under the bridge saddle which we believe is the best and most dynamic type of piezo system available.\u003c\/p\u003e\n\u003ch5\u003eFace Sensor\u003c\/h5\u003e\n\u003cp\u003eWe know that the face\/top is the most important component to the sound of an acoustic guitar, so it makes sense that we utilize that tone when amplifying the guitar. We do this with our unique face sensor which is specifically designed for the mid range. We use a patented blend control which blends in the amount of face sensor required to go with the piezo sound or to completely replace the piezo in the mid range. This goes a long way in removing the ‘piezo quack’, delivering a more natural tone. With a maximum crossover point of 350hz, the face sensor cannot hear any frequency in it’s feedback zone, instead leaving those frequencies to the under saddle piezo.\u003c\/p\u003e\n\u003ch5\u003eMicrophone\u003c\/h5\u003e\n\u003cp\u003eThe third element is a condenser microphone for the top end. This microphone is set well above any frequency zone that could cause it to feed and is purely there to take the ‘ping’ out of the piezo if there is some piezo blended through at full range.\u003c\/p\u003e\n\u003ch5\u003eControls\u003c\/h5\u003e\n\u003cp\u003eOn your preamp you’ll find 3 knobs. Top centre for volume, top left is a blend knob used to add or remove frequencies that the face sensor is hearing and top right is a separate volume specific to the microphone.\u003c\/p\u003e\n\u003cp\u003eThe FC (filter contour) button allows for effortless switching between the PG3 configuration and an improved version of it’s predecessor, the 3-Way. There are also a battery light and sliders for treble, mids and bass response.\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eSPECS\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eNew\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eManufacturer: \u003c\/strong\u003eCole Clark\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eModel: \u003c\/strong\u003eFL1E-12-BM\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrientation: \u003c\/strong\u003eRight Handed\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColour: \u003c\/strong\u003eNatural\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBody Shape: \u003c\/strong\u003eDreadnought\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTop Wood: \u003c\/strong\u003eSolid A Grade Bunya\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBack \u0026amp; Sides: \u003c\/strong\u003eSolid A Grade Queensland Maple\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBody Finish: \u003c\/strong\u003eSatin Nitrocellulose\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNeck Material: \u003c\/strong\u003eQueensland Maple\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNeck Finish: \u003c\/strong\u003eSatin Nitrocellulose\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale Length: \u003c\/strong\u003e650mm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFingerboard Material: \u003c\/strong\u003eShe Oak\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFingerboard Radius: \u003c\/strong\u003e12\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNut Material:\u003c\/strong\u003e Graph Tech Tusq\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNut Width: \u003c\/strong\u003e50mm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBridge: \u003c\/strong\u003eShe Oak\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSaddle: \u003c\/strong\u003eGraph Tech Tusq\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElectronics: \u003c\/strong\u003eCole Clark 3-Way Pickup System\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls: \u003c\/strong\u003eBass, Middle, Treble, Face\/Bridge Blend Knob, Volume Knob, Mic Knob\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTuning Machines: \u003c\/strong\u003eDie-Cast\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHardware Colour: \u003c\/strong\u003eChrome\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStrings: \u003c\/strong\u003eElixir Nanoweb Phosphor Bronze 10-47\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry of Origin: \u003c\/strong\u003eAustralia\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBag\/Case: \u003c\/strong\u003eCole Clark Heavy Duty Gig Bag\u003c\/p\u003e"}